But that’s a minor quibble.) Fans of a good psychedelic rant must run out and purchase this video right away! (In fact, my only complaint about this video is that we should have seen more of her. The presence of the feminine form in all of its grandeur provides a humanizing touchstone amid the abstract imagery.
The high point of the 60-minute Alien Dreamtime is the entrancing dance and sway of psychedelic love goddess Kim Kyle. Alien Dreamtime stretches the duo’s psychedelic computer effects to new limits, and Stephen Kent’s didgeridoo adds a note of primitive intensity to the techno-rave soundtrack. (The first, Experiment at Petaluma, was a 30-minute rap on the possibilities of visual language.) Rose-X’s two-person team – Britt Welin and Ken Adams – cut their special effects teeth on visual effects for San Francisco’s Toon Town Raves. In this video, Terence gets off the basic themes outlined in his three books: True Hallucinations, Food of the Gods, and The Archaic Revival (updating McLuhan, McKenna claims that postindustrial cyberculture is leading us back into the future toward archaic prepatriarchal modes of living – witness the rise of Modern Primitivism), the oppressiveness of “mono” culture (“monopoly, monogamy, monotony”), and the place of tryptamine hallucinogens in human evolution (“the psilocybin mushroom is the catalyst of human evolution and language”).Īlien Dreamtime is the second video Rose-X has produced with ethnobotanist McKenna. Call him unscientific or intellectually lazy, but Terence McKenna’s brand of psychedelic blarney – always more fun to hear live than to read – is so beautifully phrased that it transcends the historic and anthropological bean counters who dis him. The Alien Dreamtime video, produced by Rose-X Media House, is Terence McKenna’s “Greatest Hits,” spoken to the rhythm of the rave, live in San Francisco. “Call him unscientific or intellectually lazy, but Terence McKenna’s brand of psychedelic blarney – always more fun to hear live than to read – is so beautifully phrased that it transcends the historic and anthropological bean counters who dis him.” Sirius (aka Ken Goffman, if you must), appeared in Wired Magazine for its issue of May 1994. This review, by none other than our friend R. Today’s random item is a brief review of the Alien Dreamtime VHS video, produced by Ken Adams and Brit Welin as Rose-X Media House (not the audio CD, which was edited by Jonah Sharp, aka Spacetime Continuum for the Astralwerks label–there are some differences between the two aside from the fact that one includes video).